Written by Jiatong Li
Last semester, we explored the extraordinary world of contemporary Indigenous art at the Bill Reid Gallery. Through a series of remarkable works, I was captivated by an intriguing surrealist painting, unaware that it would transport me to a fantastic world.
The painting “Against the Current” by Cody Lecoy immediately drew my attention as I stood in the hallway. It boasts unusual combinations of objects and splashes of vibrant colours that dance across the frame, attempting to tap into the subconscious mind. Additionally, upon closer inspection of the right side, the hands gripping oars in the picture reminded me of something familiar—the Spirit of Haida Gwaii, Bill Reid’s largest and most complex sculpture! I am confident that Cody Lecoy drew inspiration from it.
This discovery sparked my curiosity and a desire to learn more about the Spirit of Haida Gwaii, depicting a boat filled with various entangled ethereal beings. Most of these beings have mythical Haida origins, including the Mouse Woman, the Raven, the Eagle, and others. The remainder represents humans, such as the Bear Mother, the Chief, and the “Ancient Reluctant Conscript.” Evidently, this sculpture, encompassing mythical creatures and humans working together, symbolizes a connection not limited to one culture but to the entire family of living beings.
Before this, I needed to gain more knowledge of the history of the First Nations. It became apparent that Reid significantly contributed to conveying profound stories through the landscape of Indigenous art. While searching for his relevant works, I discovered another famous sculpture, “The Raven and the First Men,” preserved in UBC’s Museum of Anthropology. It embodies a creation myth from Haida culture, telling a story about a Raven persuading people to emerge from their shells and join the fantastic world. Some opened giant clamshells out of curiosity, becoming the first Haida.
Beyond the story, this sculpture holds additional meanings. The Raven is a complex and multifaceted character, often acting as a trickster figure. The clamshell symbolizes the birthplace of humanity in Haida beliefs, and the emergence of the first Haida from the clamshell represents the beginning of human existence and the close relationship between humans and the natural world. Moreover, “Raven and the First Men” is a powerful representation of Haida’s cultural identity. Through the visual retelling of this myth, Bill Reid reaffirms the importance of preserving and celebrating Haida traditions, reinforcing a sense of cultural continuity. Furthermore, the sculpture’s composition emphasizes the interconnectedness between humans, Raven, and the natural elements, highlighting the interdependence of all living things in the Haida worldview.
Leaving the gallery, I sincerely appreciated the artist’s talent and a newfound respect for how Indigenous art can bridge the past and present. Notably, the artwork’s story made me interested in Indigenous culture.